Essays about: "Philosophy of Painting"
Showing result 1 - 5 of 7 essays containing the words Philosophy of Painting.
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1. Chimeric Mimicry : Reflection and Animality in Merleau-Ponty's Philosophy of Nature
University essay from Södertörns högskola/FilosofiAbstract : In this paper, I attempt to understand how Merleau-Ponty views the relation between nature and reflection, as well as the meaning behind the terms “human” and “animal” and the relations between them. I approach this by outlining the transition from Merleau-Ponty’s early philosophy (SB, PP) to his late philosophy (N, VI). READ MORE
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2. What we convey in what we don't show : The philosophy of Yugen - can unclarity be valuable in art?
University essay from Uppsala universitet/Filosofiska institutionenAbstract : .... READ MORE
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3. The Sublime as an Aesthetic Experience of Art : The Aesthetic Experience of Mark Rothko's Abstract Paintings
University essay from Uppsala universitet/Filosofiska institutionenAbstract : The following work investigates the nature of the aesthetic experience of the abstract expressionist paintings of Mark Rothko. I suggest that the aesthetic experience in relation to his paintings best is understood in terms of the sublime. READ MORE
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4. Gardens of Compost
University essay from KTH/ArkitekturAbstract : An interrogation of architecture's prevailing myths, and a practice for how to live and die well as an architect in the Anthropocene epoch. It is an effort to combine joyful representation and speculation (because architecture is both too serious and not nearly serious enough), with philosophy, for still possible pasts, presents and futures. READ MORE
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5. The panel painting ’’The Lamentation of Christ’’ from Norum church
University essay from Göteborgs universitet/Institutionen för kulturvårdAbstract : This thesis takes the challenge to investigate a series of attribution hypotheses concerning a panel painting of unknown master, possessed by the Norum church in Stenungsund (Västra Götaland county) in Sweden. The painting depicts the well-known theme of religious character; The Lamentation of Christ, and it possesses Northern Renaissance painting qualities (16th-17th century). READ MORE