Essays about: "Teatervetenskap"

Found 4 essays containing the word Teatervetenskap.

  1. 1. A Posthumanist Aesthetics of Physicality in Music : An Understanding of the Mind-Body Problem with Music by Marie Samuelsson

    University essay from Stockholms universitet/Institutionen för musik- och teatervetenskap

    Author : Elin Hermansson; [2014]
    Keywords : ;

    Abstract : .... READ MORE

  3. 2. Verkkommentar till: the INTRUDER Ett konstnärligt experiment om publiken

    University essay from Lunds universitet/Teatervetenskap

    Author : John Hanse; [2012]
    Keywords : audience research; chatroulette; artistic research; practice-led research; research in practice; practice oriented research; research by practice; performance as research; art based research; Performing Arts;

    Abstract : Detta är en verkkommentar som handlar om ett scenkonstexperiment som jag valt att kalla "The Intruder". I detta arbete har jag exploaterat fenomenet chatroullette för att arrangera en avvikande upplevelse med publiken i en ovan roll. READ MORE

  4. 3. Heinrich Wilhelm Ernst and his Contributions to the Development of Left-hand pizzicato and Harmonics.

    University essay from Institutionen för musik- och teatervetenskap

    Author : Tobias Wilczkowski; [2011]
    Keywords : Heinrich Wilhelm Ernst; violin; violin technique; Left-hand pizzicato; harmonics; Paganini;

    Abstract : From the middle of the eighteenth century, the use of left-hand pizzicato and harmonics began to become more common in violin playing. Over time, these techniques underwent substantial developments thanks to several different violinists, among others Heinrich Wilhelm Ernst. READ MORE

  5. 4. Task Impact on Cognitive Processing of Narrative Fiction Film

    University essay from Lunds universitet/Kognitionsvetenskap

    Author : Janna Spanne; [2006]
    Keywords : Kognitionsforskning; Berättarteknik; Film; Theater theory and history; Teatervetenskap; Arts and Architecture;

    Abstract : The purpose of this study is to investigate a segment of the process by which a film spectator extracts information from moving images and treats it cognitively to generate an integral experience of a film. A comparison is attempted between objectively measurable eye movement data and the participants? own reports of their impressions of a film sequence under three different task conditions. READ MORE