Essays about: "classical aesthetics"

Showing result 1 - 5 of 7 essays containing the words classical aesthetics.

  1. 1. Web design for different generations—initial impact of web aesthetics : differences in emotional responses to web aesthetics between Generation X and Generation Z

    University essay from Jönköping University/Tekniska Högskolan

    Author : Gintare Kunigonyte; Georgi Georgiev Kolev; [2020]
    Keywords : web environments; aesthetics; user interface; aesthetic perception; emotional responses;

    Abstract : As the digital age matures, we seek to understand the Generation X and Generation Z, precisely their visual perception and emotional responses to the different dimensions of online aesthetics - classical and expressive. The development of digital products and environments with a specific user experience in mind is beneficial for creating the most suitable outcome. READ MORE

  2. 2. Domestic Lighting of the Future - How interactive lighting for the home can be innovated & utilized

    University essay from Malmö universitet/Fakulteten för kultur och samhälle (KS)

    Author : Jip Asveld; [2018]
    Keywords : Lighting; Domestic; Interaction Design; Tangible Interaction; Aesthetics of Interaction; Interactive Lighting; Lamps; Light Control;

    Abstract : Innovative and interactive lighting has big opportunities to move from the classical switch to more tangible and embodied ways of interaction, types of interaction that have much more richness and expressivity to them. This will not be of any use if the output would still be just an on/off type of lamp; however, new mediums or output in the form of LED light provide much more flexibility in intensity, colour, multiple sources of light (that work together), etc. READ MORE

  3. 3. Time, organic bonds and silence, a different perspective on a western musical tradition

    University essay from Göteborgs universitet/Högskolan för scen och musik

    Author : João Pedro Miguel; [2015-06-24]
    Keywords : Japanese aesthetics; music cognition; music composition; music interpretation; music perception; music psychology; orchestral conducting; organic structures; Zen Buddhism;

    Abstract : My investigation explores how a set of Japanese aesthetical conceptions related to Zen Buddhism could influence my perspective about musical interpretation and composition within a Western Art Music context, classical as well contemporary. The first part of the thesis aims at identifying a different art functionalism caused by the analysis of some influences of Japanese thoughts on Western perception of Nature and of physical phenomena, such as time and space. READ MORE

  4. 4. Cybernetic Social Space : A Theoretical Comparison of Mediating Spaces in Digital Culture

    University essay from Blekinge Tekniska Högskola/Institutionen för teknik och estetik

    Author : Benjamin Antman; [2014]
    Keywords : Production of space; Social space; Cybernetic space; digital; real; politics; art; ubiquitous computing;

    Abstract : This essay does a theoretical comparison of the intricate social production in digital and real spaces, proposing a model for the non-technical exploration of the social production of spaces relating to human digital technology. The ‘social space’ proposed by Henri Lefebvre (1974) - responsible for producing material space - and the holistic model of ‘cybernetic space’ proposed by Ananda Mitra and Rae Lynn Schwartz (2001) - responsible for supporting the production of real and digital spaces - are argued as collaboratively producing cybernetic social spaces, serving as the definition of a unified model for the production of spaces in contemporary society. READ MORE

  5. 5. Aspects of tempo in the First Symphony of Ludwig van Beethoven in two interpretations

    University essay from Institutionen för komposition, dirigering och musikteori

    Author : Taavi Kull; [2013]
    Keywords : symphony; symfoni;

    Abstract : This thesis aims to address the subject of tempo as one of the most important components of classical music. The work consists of two parts.The first part is an overview of the aesthetic background and the factors which influence the choice of tempo in the music of the beginning of the 19th Century. READ MORE