Essays about: "mushra"

Found 5 essays containing the word mushra.

  1. 1. Comparing Analog and Digital Non-Linear Sonic Signatures : an Investigation on Creative Application and Subjective Perception using the Universal Audio 1176 FET Compressor

    University essay from Luleå tekniska universitet/Institutionen för ekonomi, teknik, konst och samhälle

    Author : Behzad Mehrnoosh; [2021]
    Keywords : compression; compressor; non-linear; distortion; sonic signature; analog; hardware; digital; software; emulation; modeling; 1176;

    Abstract : Historically, compression was primarily used as a preventative measure to reduce the risk of clipping or overloading equipment in the recording signal chain. Research on the topic has revealed that modern production applications more commonly include utilizing compression as a creative effect, to impart distortion, manipulate timbre, and modify transients, rather than to control the dynamic range of audio signals. READ MORE

  2. 2. Implementation and Evaluation of Encoder Tools for Multi-Channel Audio

    University essay from Luleå tekniska universitet/Institutionen för system- och rymdteknik

    Author : Tomas Malmelöv; [2019]
    Keywords : Scene based audio; 3D audio; Spatial audio; Ambisonics; HOA; Multi-channel audio; Audio compression; MPEG-H;

    Abstract : The increasing interest for immersive experiences in areas such as augmented and virtual reality makes high quality 3D sound more important than ever before. A technique for capturing and rendering 3D audio which has received more attention during the last twenty years are Higher Order Ambisonics (HOA). READ MORE

  3. 3. Mixing pop in 9.1: How do listeners perceive different delay/panning combinations, applied to solo pop guitar?

    University essay from Luleå tekniska universitet/Institutionen för konst, kommunikation och lärande

    Author : David Karlsson; [2019]
    Keywords : Surround; 9.1 surround; Surround mixing; Pop; Preference; Guitar; Delay; Mushra;

    Abstract : There is little information about mixing music for 9.1 surround, and the information available are mostly for classical music and the use of ambience in the height channels. The production methods for pop music differs from classical music and the productions does not have to sound realistic. READ MORE

  4. 4. Artificial Reverb vs. Real Recorded Reverb in the Back Channels in a 5.1 Surround Setup

    University essay from Luleå tekniska universitet/Medier ljudteknik och upplevelseproduktion och teater

    Author : Adrian Emilsson; [2018]
    Keywords : Artificial Reverb; Reverb; comparison; surround; 5.1; realism; envelopment; preference; mushra; fukada; oct; acusticum;

    Abstract : When recording music for surround audio engineers sometimes face limitations in time, ideal microphone positions or a noisy audience. If this cannot be dealt with at the location, artificial reverbs are often used in the mixing to “fill in the blanks”. In this study, three instruments were recorded separately with two 5. READ MORE

  5. 5. Flexible Audio Coder

    University essay from KTH/Ljud- och bildbehandling

    Author : Marcus Asteborg; [2011]
    Keywords : ;

    Abstract : As modern communications networks are heterogeneous and, therefore, highly variable, the design of source coders should reflect this network variability. It is desired that source coders are able to adapt instantly to any bit-rate constraint. READ MORE