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Showing result 1 - 5 of 15 essays matching the above criteria.
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1. Pre-Existing Film Music Re:sourced : Technical Aspects and Narratological Implications of Audible Diegetic Transitions in Joker and Other Films
University essay from Uppsala universitet/Institutionen för musikvetenskapAbstract : This thesis concerns itself with a phenomenon found in film music that can be described as audible diegetic transitions. In short, an audible diegetic transition occurs when film music shifts from one implied musical placement to another by changing its presented sound quality. READ MORE
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2. THE GUTTER IN-BETWEEN MOVING PANELS
University essay from Konstfack/Grafisk design & illustrationAbstract : There’s a party this evening but Tilde is feeling too awkward. Travelling between mediums. READ MORE
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3. Angela Carter's The Passion of New Eve Becomes Opera: The Process of Creating the Libretto to Tristessa
University essay from Högskolan i Halmstad/Akademin för lärande, humaniora och samhälleAbstract : This essay examines the many methods involved in adapting a literary text into an opera libretto and specifically how Angela Carter's novel The Passion of New Eve was made into the opera Tristessa. This study demonstrates the several processes involved in writing a libretto. READ MORE
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4. Intersemiotic Translation from Film to Audio Description: A cognitive semiotic approach
University essay from Lunds universitet/Kognitiv semiotik; Lunds universitet/Masterprogram: Språk och språkvetenskapAbstract : Audiovisual content is heavily prevalent in many modern societies. Film, in particular, is a favourite form of entertainment to many. Film is by nature both multimodal and polysemiotic, employing the modalities of visual and auditive as well as the semiotic systems of language, gesture, depiction and music. READ MORE
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5. Adapting the Men in Jane Eyre : A Comparative Analysis of Two Movie Adaptations (from 1943 and 2011) of the novel Jane Eyre by Charlotte Brontë, with a Focus on the Male Characters
University essay from Umeå universitet/Institutionen för språkstudierAbstract : This is a comparative analysis of two film adaptations (from 1943 and 2011) of Charlotte Brontë’s Jane Eyre, with a focus on the male characters. My aim is to study how patriarchal control is adapted for the screen, compared to the original novel. The focus is on the characters John Reed, Mr. Brocklehurst, Mr. READ MORE