Stories That Cut Across: The Case of Refugees and Asylum Seekers in Calais, France

Abstract: In this thesis, I sought to accomplish two things. First, the thesis is written in a reflexive and even an auto-ethnographic manner. It invites the reader to follow the ethnographer through the metamorphosis of the study, from the point of conception, through the ethnographic fieldwork to the interpretation and, finally, to the presentation of the result. Doing so was an attempt to give the reader a vivid understanding of the process of making an ethnographic text. The ambition with auto-ethnographic dimension is to unveil and problematize the condition for ethnographic fieldwork, as well as to add nuance to the stories of my informants. Second, the thesis strives to answer a simple question: why the UK? The genesis of the question finds its roots in the departure of my friend Kanan, and it was by tracing Kanan’s journey that I found myself in Calais. By focusing on a transit zone like Calais, I have aimed to depart from a dualist approach of migration theories that only focus on destination and origin countries as their analytical points of reference and to present the everyday experiences of exile and statelessness as a continuous journey. The conduit for examining the experiences of my informants will be Chris Dolan’s concept of social torture. Through the concept of social torture, Chris Dolan interlinks the exercise of everyday violence and abuse on a mass scale and torture by focussing on the impacts of such acts on the individual’s body and mind. By doing so, Dolan identifies debility, dependency, dread and disorientation as the four impacts to identify a victim of social torture. The daily life experiences of my informants in Calais were that of social torture.  In this regard, I seek to show how social torture was an apparatus used to force unwanted populations from the French territory and into the UK and other European countries.