Engaging with Diversity in Hospitable Spaces : A Study on Lived Experiences of Community Theatrewith Refugees and Asylum Seekers in Leeds

Abstract: An emphasis in political debates and much print media in the United Kingdom (UK) on perceived issues with ethnic, religious, and cultural diversity has contributed to a narrative of worry and fear. Despite such hostile discourse, people find ways of living together with diversity every day.  The encounters which I am concerned with in the following degree project are taking place through community theatre with Mafwa Theatre in Leeds where women from asylum seeker, refugee, and wider communities are socialising and cooperating over fun and simple drama activities. The purpose of this thesis is to better understand the different participants’ lived experiences of the theatre space, how they view their role in the group, and how they perceive diversity in the group. The research questions are explored with qualitative research methods of individual interviews with Mafwa members, the facilitators, and a volunteer, participant observation during the weekly drama sessions, and document analysis of printed, online, and audio materials. With this degree project, I aim to contribute to the discussion about everyday multiculturalism and living with diversity in the UK. The theoretical framework consists of the concept of hospitality which helps me explore how hospitable spaces are shaped and negotiated by different contributors, and conviviality which embraces the complexity of social relations without romanticising them and can help us reach a better understanding of how to live together without a fear for each other’s differences.  The findings show that the different participants view the drama group as a hospitable community of acceptance and respect within a hostile environment for asylum seekers and refugees at the national level. The space offers a well-needed opportunity for the women to have fun, develop their creative skills, and escape day-to-day concerns. Moreover, the study shows that besides being proud co-producers of artistic practice, all participants are also active co-creators of shaping the hospitable space and a ‘convivial culture’. Finally, despite misunderstandings and disagreements in the group, the participants express having bonded over similarities and learned from differences rather than describing diversity as something to fear.