Essays about: "Electroacoustic music"

Found 5 essays containing the words Electroacoustic music.

1. 1. Spectromorphological Reductions : Exploring and developing approaches for sound-based notation of live electronics

   University essay from Luleå tekniska universitet/Musik, medier och teater

   Author : Hans Lennart Jonsäll; [2023]
   Keywords : live electronics; electronic music; electroacoustic music; notation; spectromorphology; typo-morphology; Sound Notation; digital musical instruments.;

   Abstract : In this master’s thesis, a sound-based notation system is explored and developed in the composition and performance of a musical work for live electronics. My approach builds on existing systems for electroacoustic music analysis, most notably Dennis Smalley’s (1997) theory of spectromorphology and the symbolic language of Lasse Thoresen & Andreas Hedman (2007) based on Pierre Schaeffer’s typo-morphology, as well as Mattias Sköld’s (2023) adaptation of this system for composition and transcription (Sound Notation). READ MORE

3. 2. LjudMAP: A Visualization Tool for Exploring Audio Collections with Real-Time Concatenative Synthesis Capabilities

   University essay from KTH/Skolan för elektroteknik och datavetenskap (EECS)

   Author : Victor Hansjons Vegeborn; [2020]
   Keywords : ;

   Abstract : This thesis presents the software tool “LjudMAP," which fuses techniques of music informatics and unsupervised machine learning methods to assist in the exploration of audio collections. LjudMAP builds on concepts of the software tool, "Temporally Disassembled Audio," which was developed to enable fast browsing of recorded speech material. READ MORE

4. 3. On Music and Spatiality : Spatialization as a vehicle towards a chimærical space

   University essay from Kungl. Musikhögskolan/Institutionen för komposition, dirigering och musikteori

   Author : Fredrik Mathias Josefsson; [2019]
   Keywords : Chimærical space; Spatialization; Electroacoustic music; Composition;

   Abstract : According to Kierkegaard it is through our sense of hearing that we can make this journey within, “Gradually, then, hearing became my most cherished sense, for just as the voice is the disclosure of inwardness incommensurable with the exterior, so the ear is the instrument that apprehends this inwardness, hearing the sense by which it is appropriated.”[1] The music is an invitation to all participants to become wanderers. READ MORE

5. 4. Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation

   University essay from Kungl. Musikhögskolan/Institutionen för komposition, dirigering och musikteori

   Author : Diego Ratto; [2019]
   Keywords : Electroacoustic Composition;

   Abstract : As a composer of electroacoustic music, I’m interested in understanding which characteristics of classical orchestration can be used in electroacoustic music after these years of its development. In specific, which aspects of orchestration can be used as powerful techniques in acousmatic music? The aim of this study is to create connections between the conventional acoustic orchestration practice and electroacoustic orchestration by using a transfer2 technique. READ MORE

6. 5. From Sound to Score : A search for a post-genre compositional process

   University essay from Luleå tekniska universitet/Institutionen för konst, kommunikation och lärande

   Author : Jörgen Häll; [2018]
   Keywords : Post-genre; Digital Audio Workstation; DAW; Composition; Post-modernism; Sample library; Electroacoustic music; MIDI; Interpretation;

   Abstract : In this thesis, the author explored an alternative way of composing contemporary western art music, being inspired by thoughts regarding post-genre. The composition method incorporated the use of the Digital Audio Workstation (DAW) software Cubase. READ MORE