Essays about: "Cult Film"

Showing result 1 - 5 of 6 essays containing the words Cult Film.

  1. 1. Anita: The Story of a Bad Film : The cultural life of Torgny Wickman’s 1973 sex film

    University essay from Stockholms universitet/Filmvetenskap

    Author : Jason Carter; [2023]
    Keywords : Anita; Torgny Wickman; Swedish Sin; Cult Film; Sex Film; Pornography; Swedish film heritage;

    Abstract : Anita  (Torgny Wickman 1973) is a typical example of a film produced as part of a wave of Swedish softcore sex films created with an eye on the substantial overseas profits to be made in market curious to witness onscreen Swedish Sin.  Following an extremely brief and limited release in Sweden the film disappeared from popular cultural perception until resurfacing in the late 1990s as an object of nostalgic cult curiosity. READ MORE

  2. 2. The Satanic Panic of the Warrens – ”The Conjuring: The Devil Made Me Do It” and the Satanic Cult Horror Film

    University essay from Lunds universitet/Filmvetenskap

    Author : Robert Wettersten; [2022]
    Keywords : Horror film; Satanism; Satanic Panic; The Conjuring; Languages and Literatures;

    Abstract : This thesis examines the Satanic cult in horror film – historically and in contemporary horror films. A quantitative analysis of horror films with themes of Satanism and Satanic cults is presented, in which three particular upswings in the themes are seen – one in the 1970s, one in the late 1980s and early 1990s, as well as one from the mid 2010s and onwards. READ MORE

  3. 3. Oh my god, she’s a boy! The online afterlife of Sleepaway Camp (1983, Robert Hiltzik)

    University essay from Lunds universitet/Filmvetenskap

    Author : Emma Bengtsson; [2019]
    Keywords : Sleepaway Camp; LGBTQ; queer; netnography; cult; camp; identity.; Social Sciences; Arts and Architecture;

    Abstract : This study aims to examine the online afterlife of the slasher film Sleepaway Camp (1983, Robert Hiltzik) and how this afterlife relates to the queer elements in the film and its role as a cult film. By combining analytical perspectives and tools deriving from film studies and media studies, through applying film analysis as a method and using a netnographic approach, the fields complement each other without cancelling each other out. READ MORE

  4. 4. “Pansarskeppet kvinnligheten” deconstructed : A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman

    University essay from Stockholms universitet/Filmvetenskap

    Author : Saki Kobayashi; [2018]
    Keywords : “Pansarskeppet kvinnligheten”; Eva Dahlbeck; Ingmar Bergman; Swedish film stars; Post-war Swedish popular film culture and media discourses; Waiting Women; A Lesson in Love; Smiles of a Summer Night; Richard Dyer; Filmjournalen; “Pansarskeppet kvinnligheten”; Eva Dahlbeck; Ingmar Bergman; Kvinnors väntan; En lektion i kärlek; Sommarnattens leende; Filmjournalen;

    Abstract : Eva Dahlbeck was one of Sweden’s most respected and popular actresses from the 1940s to the 1960s and is now remembered for her work with Ingmar Bergman, who allegedly nicknamed her “Pansarskeppet kvinnligheten” (“H.M.S. Femininity”). READ MORE

  5. 5. ‘The Mother of All Bad Movies’ : an audience research on the culture of Tommy Wiseau’s The Room based on the live cinematic experience

    University essay from Lunds universitet/Medie- och kommunikationsvetenskap

    Author : Hario Satrio Priambodho; [2018]
    Keywords : Film; Movies; Audience; Media; Cult Cinema; Live Cinema; Camp; Taste; The Room; Tommy Wiseau; Denmark; Sweden; Irony; Interaction; Emotional Public Sphere; Camp Capital; Social Sciences;

    Abstract : The world of cult cinema is dotted with numerous films that are often characterised by event-like evening screenings in independent or art-house cinemas years or even decades after the film’s initial release. One film synonymous with the cult cinema circuit is Tommy Wiseau’s The Room (2003), which has often been hailed as the ‘Citizen Kane of bad movies’ due to the film’s lack of artistic vision, poor acting, and its general ineptitude in craft. READ MORE