Stop. Record From Taxi Park to Film Park

Abstract: This project explores strategies to effectively address the challenges surrounding the ‘dissonant’ heritage of totalitarian regimes. The difficulties associated with this heritage rises from multiple factors, such as the characteristics of materials and objects involved, historical and cultural contexts, political influences, ethical considerations, religious aspects, and personal beliefs of individuals involved. These differences give rise to conflicts and obstacles in preserving and managing such heritage. The main point of disagreement is whether undesired and painful objects and sites should be demolished or if they are to be preserved, how they should be appropriately presented. Therefore, it is essential to adopt a balanced approach that respects diverse perspectives, fosters dialogue, and embraces adaptive strategies. This approach is crucial for ensuring the long-term viability and meaningful interpretation of our shared collective heritage. The case study chosen is Lithuania, a former part of the Soviet Union. Most built heritage from the Soviet era may not be traditionally seen as culturally significant, but it does bear witness to collective memory. The goal is to analyze and propose an adaptive reuse project for a partially abandoned building, the former Taxi Park in Vilnius. To address historical memory, the proposal suggests a programic shift from a Taxi Park to a Film Park. This approach showcases artifacts from the Lithuanian film industry and transforms the space into an archival institution that engages with history. The building is organized in a chronological framework, with different floors that create a cohesive narrative that honors the past, preserves the present, and allows for future engagement. By incorporating these elements, the space serves educational, cultural, and future-oriented purposes.