"The Good Swede" : Symbols and Narrative in Swedish Public Aid to the Democratic Republic of Congo

Abstract: By research and interpretation of official documents published by the Swedish Ministery for Foreign Affairs and the Swedish International Development Cooperation Agency (Sida), this thesis aims to understand and shine a light on the symbols that shape the Swedish public aid culture and how these symbols function in a narrative of what Swedish aid to the Democratic Republic of Congo is and is not. The theoretic framework leans on both the symbolic/interpretative anthropology of Edward Bruner, Clifford Geertz and Sherry Ortner; Omar Lizardo's more contemporary writing on the power of symbols; and Jerome Bruner's psychological perspective on symbols. The conclusion is that Swedish public aid appears to use a set of symbols and a narrative anchored in arbitrary parts of Sweden's and Congo's mutual history to conjure up the image of a dark and dangerous Congo in contrast to the knowledgable and good Sweden.