Essays about: "förkroppsligad interaktion"

Found 3 essays containing the words förkroppsligad interaktion.

  1. 1. Reflections on One’s Own Body : An Approach to the Potential of Self-Image in HCI

    University essay from KTH/Skolan för elektroteknik och datavetenskap (EECS)

    Author : Rebeca Blanco Cardozo; [2023]
    Keywords : soma design; first-person perspective; self-image; embodied interaction; self-fashioning technologies; soma design; förstapersonsperspektiv; självbild; förkroppsligad interaktion; self-fashioning teknik;

    Abstract : Self-image and the way we present ourselves to the world are highly relevant in today’s society, fostered to some extent by the ubiquitous use of technology. For example, the idealized body image that is disseminated in the media and on social networks can affect the relationship we have with ourselves. READ MORE

  2. 2. Evaluating Generated Co-Speech Gestures of Embodied Conversational Agent(ECA) through Real-Time Interaction

    University essay from KTH/Skolan för elektroteknik och datavetenskap (EECS)

    Author : Yuan He; [2022]
    Keywords : Embodied Conversational Agent ECA ; User Study; Evaluation Instrument; Gesture Generation; Gaze-tracking; Förkroppsligad konversationsagent ECA ; Användarstudie; Utvärderingsinstrument; Generering av gester; Spårning av blickar;

    Abstract : Embodied Conversational Agents (ECAs)’ gestures can enhance human perception in many dimensions during interactions. In recent years, data-driven gesture generation approaches for ECAs have attracted considerable research attention and effort, and methods have been continuously optimized. READ MORE

  3. 3. Designing for Musical Bodies : An Exploration of the Musician–Instrument Relationship

    University essay from KTH/Skolan för elektroteknik och datavetenskap (EECS)

    Author : Tove Grimstad Bang; [2021]
    Keywords : Soma design; Dalcroze eurhythmics; musical instrument;

    Abstract : Drawing on phenomenology and the theory of embodied music cognition, and the idea that music is movement and the way we experience music is related to movement and to our bodies, the design and conception of a musical instrument is carried out through a soma design process, with the non-dualistic body at center. In addition to the use of design fiction as a means to imagine new design possibilities, practical somaesthetics are a part of the design process through the bodily practices of Dalcroze eurhythmics and instrument defamiliarisation. READ MORE