Essays about: "thesis cinema"

Showing result 11 - 15 of 77 essays containing the words thesis cinema.

  1. 11. The effects of servicescape on customer satisfaction and possible implications on customer retention within movie theater industry

    University essay from Mälardalens universitet/Akademin för ekonomi, samhälle och teknik

    Author : Fareed Ahmedi; Mustafa Al Salhi; Felix Huynh; [2023]
    Keywords : SF Bio; Movie theaters; Cinema; Leisure Service; Servicescape; Strategic Roles of Servicescape; Three Dimensions of Servicescape; Five Servicescape Factors;

    Abstract : Research questions: How does the servicescape in movie theaters, with a particular focus on SF Bio Västerås, influence customer satisfaction and retention, and what are the perceived quality and challenges associated with its implementation? Purpose: The purpose of this study is to explore how movie theaters, such as SF Bio Västerås, use servicescape to influence customer service experience. The study aims to investigate the customers' perceived quality of movie theater servicescape and its impact on customer satisfaction and retention. READ MORE

  2. 12. Aesthetics of Ambiguity : A critical assessment of in-person reenactment and multifaceted temporality in the films of Pedro Costa

    University essay from Stockholms universitet/Filmvetenskap

    Author : Maria Charlotte Hustad; [2023]
    Keywords : Cinema studies; documentary theory; reenactment; Pedro Costa; Gilles Deleuze; the crystal-image;

    Abstract : This thesis investigates temporal dimensions of reenactment in experimental filmmaking, with a particular focus on the prominent use of this practice in the cinema of Portuguese director Pedro Costa. The research analyzes the non-professional actors’ performances in Costa’s films and broadly explores the implications of cinematic in-person reenactment, a term coined by Ivone Margulies. READ MORE

  3. 13. Western Esotericism references in Dario Argento’s triology The Three Mothers

    University essay from Högskolan i Gävle/Avdelningen för humaniora

    Author : Emilie Spagnoli; [2023]
    Keywords : Occultism; Esotericism; film critic; Steiner; feminine power; gender; Dario Argento; horror cinema; Suspiria; Inferno; The Mother of Tears;

    Abstract : This thesis aims to explore the influences and references, with a particular focus from occultism and western esotericism, found in the film trilogy of The Three Mothers directed by Dario Argento. The trilogy composed of Suspiria, Inferno and The Mother of Tears was produced in a timeframe of thirty years from 1977 to 2007, so it embeds three decades, it also reflects the willingness from the director to disconnect himself from the usual representation of supernatural and horror films of witches and power. READ MORE

  4. 14. Why do we go to the cinema?-A qualitative study of cinema attendance motivation in Sweden and Korea

    University essay from Lunds universitet/Institutionen för tjänstevetenskap

    Author : Da Ok Jung; [2022]
    Keywords : Motivation; Cinema; Cinema attendance; Experience; Experiential consumption; cultural consumption; Uses and Gratifications Theory; OTT; Entertainment; Escape; Socialisation; Social Sciences;

    Abstract : Due to COVID-19 and the penetration of OTT services, the cinema industry is suffering from audience loss. With this contextual change, the question of whether the cinema industry will survive is constantly rising. READ MORE

  5. 15. Nature Will Not Be Ignored : Ecology and Neoliberalism in the Cinema of Bong Joon-ho

    University essay from Stockholms universitet/Avdelningen för koreanska

    Author : Christian Gregory; [2022]
    Keywords : Bong Joon-ho; Korean Cinema; Ecology; Environmentalism; South Korea; Neoliberalism; Capitalism; The Host; Parasite; Snowpiercer; Okja; South Korea; Pollution; Barking Dogs Never Bite; Mother; Cli-fi; climate change;

    Abstract : The purpose of this thesis is to examine the filmography of Korean filmmaker Bong Joon-ho [Pong Chun-ho], and to provide a limited textual analysis of each film divided across two categories: the “explicitly ecological” and “implicitly ecological”. The intent is to, by viewing all of Bong’s films leading up to his critical and commercial success Parasite, argue that Parasite is as much an environmental film as it is critical of neoliberalism and globalization, both of which are common readings of not only Parasite, but all of Bong’s work. READ MORE