Essays about: "Cinema"
Showing result 21 - 25 of 145 essays containing the word Cinema.
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21. An Immersive Visit to the Cinema : Designing a Virtual Exhibition Piece of a Physical Exhibition
University essay from Linköpings universitet/Medie- och Informationsteknik; Linköpings universitet/Tekniska fakultetenAbstract : .... READ MORE
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22. Why do we go to the cinema?-A qualitative study of cinema attendance motivation in Sweden and Korea
University essay from Lunds universitet/Institutionen för tjänstevetenskapAbstract : Due to COVID-19 and the penetration of OTT services, the cinema industry is suffering from audience loss. With this contextual change, the question of whether the cinema industry will survive is constantly rising. READ MORE
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23. Gillberga Activity House
University essay from KTH/ArkitekturAbstract : A countryside with strong cohesion and good communications. A population with a strong commitment and willingness to develop together. A school in the absence of premises for practical subjects, a society in the absence of space for association life. READ MORE
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24. Visions of the Future: An exploration of the visual and thematic worlds of Blade Runner and Blade Runner 2049.
University essay from Lunds universitet/FilmvetenskapAbstract : This essay examines the relationship between the two feature-length Blade Runner films, placing a certain focus on areas of aesthetic, design, and thematic content with the aim of reaching new insights into the social, cultural, and ideological contexts in which the films were made. Each subchapter explores the films from a different perspective leading up to chapter IV, in which I consider the films in relation to the cultural theory of capitalist realism. READ MORE
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25. Nature Will Not Be Ignored : Ecology and Neoliberalism in the Cinema of Bong Joon-ho
University essay from Stockholms universitet/Avdelningen för koreanskaAbstract : The purpose of this thesis is to examine the filmography of Korean filmmaker Bong Joon-ho [Pong Chun-ho], and to provide a limited textual analysis of each film divided across two categories: the “explicitly ecological” and “implicitly ecological”. The intent is to, by viewing all of Bong’s films leading up to his critical and commercial success Parasite, argue that Parasite is as much an environmental film as it is critical of neoliberalism and globalization, both of which are common readings of not only Parasite, but all of Bong’s work. READ MORE