Essays about: "artist identity"
Showing result 21 - 25 of 32 essays containing the words artist identity.
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21. "Nothing is Beatleproof!" In what context? (part II) The socio-political and the media perspectives in the creation of art and the artist's image in communication
University essay from IT-universitetet i Göteborg/Tillämpad informationsteknologiAbstract : Art is often defined as a process of creation guided by artist’s intention. However, artwork as a means of expression is also a communicative medium. READ MORE
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22. “Nothing is Beatleproof!” In what context? - Art and the artist's image as communication
University essay from IT-universitetet i Göteborg/Tillämpad informationsteknologiAbstract : Art is often definedasaprocessofcreationguidedbyartist’sintention.However,artwork as a means of expression is also a communicative medium. READ MORE
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23. Growth of Indonesian art market - Art for art's sake
University essay from Lunds universitet/Avdelningen för konsthistoria och visuella studierAbstract : Art market is considered as a bench marker of artworks’ value. Value of the works determines not only the importance of the artist whether it is temporal or not, but also the art style, trend of the contemporary art scene. My thesis focuses such issue of Indonesian art scene from its cultural background. READ MORE
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24. CREATING STEPHEN, THE ARTIST : Reinterpreting Joyce's Portrait through Analysis of the Narrator
University essay from Engelska institutionenAbstract : A Portrait of the Artist as a Young Man is viewed traditionally by many critics and scholars alike more or less, if not entirely, as Joyce’s autobiographical novel. The identity of the narrator and his relationship to the focalizer and the narrative text are aspects that have thus not been sufficiently examined and explored. READ MORE
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25. Being Real By Being Me: Authenticity Production and Consumption Between an Independent Artist and Her Musical Followers
University essay from Lunds universitet/Avdelningen för etnologiAbstract : ‘Keeping it real’ is a common expression of authenticity in the music business, especially in subcultures such as hip-hop and reggae. By examining the dialogically constructed authenticity between an independent hip-hop and reggae artist and her audience referred to as musical followers which takes place on a stage oscillating between web-based and non web-based contexts, this thesis investigates how this authenticity informs and influences the processes of music creation, art production and artist identity. READ MORE
