Essays about: "history of film style"

Found 4 essays containing the words history of film style.

  1. 1. The Shades of Styles : A human search for words communicating all aspects of styles.

    University essay from Uppsala universitet/Konstvetenskapliga institutionen

    Author : Erlend Hellerslien; [2021]
    Keywords : Style; Styles; Shades of Styles; Digital Style; Design Theory; Semiotic Theory; Semiotics; Semantics; Seethics; Design Inclusion; User Experience Design; Cultural Analytics; Visual Worlds; Art Historical Writing; Digital Art History; Visual Studies; Visual Literacy; Human Communication; Digital Style Dictionary; Digital Visual Compass; Spectrum; Reality; Multi Realities; Core Reality; Abstract Reality; Surreal Reality; Artifical Reality; Phenomenolgy; Moral; Ethics; Labels; Critical Terms; Aspects of Seeing; Representation; Transpace Style; Swisch; Style; Medium; RAW; Image; Artifical Intelligence; AI; Visual Exploration; Humankind; Fundamentals; Bias; Gizmos; Hyperreality; Mythologies; Sterotyping; Discrimination; Stories of Art; Synesthesia; Post-truth; Fake Photo; Creativity; Art Direction; Editing; Advertising; Manipulation; Marketing; Animation; Photography; Film; Ilustration; Graphic Design; Arcitecture; Color; Icon; Beauty; Human Commonality; Respect; Diversity;

    Abstract : This research is an investigative attempt on the concept of style´s development to potentially noticing our diverse human history on viewing the aspect of styles, starting (in the part one) by looking into the problem of the development of styles and its characteristic of representation in terms of its messages, realties, semiotics, and human collaboration. Leading towards the human search in seeing style more commonly neutral for a more meaningful dialog. READ MORE

  3. 2. The Importance of Being Funded : A Case Study of the Public Funding, Production, and Style of Pica Pica (1987)

    University essay from Stockholms universitet/Filmvetenskap

    Author : Tove Appelqvist; [2020]
    Keywords : Pica Pica; SFI; SVT; The Swedish Film Agreement; Cultural Policy; Ecocinema; National Cinema; Production; Media History.; Pica Pica; SFI; SVT; Filmavtalet; Kulturpolitik; Ecocinema; Svensk film; Filmproduktion; Mediehistoria.;

    Abstract : Given the 2017 discontinuation of the Swedish Film Agreement and the surrounding debate on the rationales of film policy, this thesis will conduct a historical study of a particular instance of Swedish film policy history, thus seeking to contribute to the understanding of the consequences of film policy for the outcome of film. Looking at the relationship between Swedish public broadcasting (SVT) and the Swedish Film Institute (SFI) during the mid-1980’s, this thesis aims to investigate the historical background of the funding and production process that enabled the creation of Pica Pica, a feature documentary film on magpies made by director Mikael Kristersson. READ MORE

  4. 3. Tall Tales : Ancestry and Artistry of Vertical Video

    University essay from Stockholms universitet/Filmvetenskap

    Author : Mats Ulenius; [2018]
    Keywords : vertical video; portrait mode; media archaeology; history of film style; shot composition;

    Abstract : Since the beginning of the 2010’s, consumers have increasingly picked up the habit of using smartphones to shoot and watch video in portrait mode – vertical video. The format has also spread to professional film making in the form of advertising, fiction film and other genres produced for viewing on vertically oriented screens – especially smartphone screens. READ MORE

  5. 4. Task Impact on Cognitive Processing of Narrative Fiction Film

    University essay from Lunds universitet/Kognitionsvetenskap

    Author : Janna Spanne; [2006]
    Keywords : Kognitionsforskning; Berättarteknik; Film; Theater theory and history; Teatervetenskap; Arts and Architecture;

    Abstract : The purpose of this study is to investigate a segment of the process by which a film spectator extracts information from moving images and treats it cognitively to generate an integral experience of a film. A comparison is attempted between objectively measurable eye movement data and the participants? own reports of their impressions of a film sequence under three different task conditions. READ MORE